The Wireless GO II's unique clip design makes it quick and easy to mount onto clothing or a camera cold shoe, mobile camera rig, boom pole, or any cold shoe accessory – ultra-compact wireless audio for any recording situation. DADman is a channel striporiented, software control interface working over your system’s computer network. It also comes supplied with a handy carry pouch to keep everything tidy and secure. Digital Performer 11 now runs natively on Apple Silcon powered computers and supports macOS Monterey. New features include Articulation Maps, Audio Retrospective Record, support for MIDI Polyphonic Expression (MPE), a completely redesigned Nanosampler 2.0 instrument plug-in, support for macOS Big Sur, native. The transmitters and receiver weigh less than 32g, taking up virtually no space in a camera kit bag, backpack, handbag or briefcase. MOTU is now shipping Digital Performer version 11, a major upgrade to their flagship audio workstation software. The Wireless GO II offers the same pocket-sized form factor as the original Wireless GO. The Wireless GO II also offers the option to record each channel separately or combine the two, ensuring ultimate flexibility in post-production. On-board recording means you never have to worry about dropouts or audio issues again, while the flexible gain control lets you precisely tailor the output to your device. Featuring a 3.5mm TRS analog output for plugging into cameras, plus a digital audio output via USB-C for plugging into smartphones, tablets and computers, it is perfect for content creation, filmmaking, on-camera or on-stage presentations, vlogging, YouTubing, livestreaming and more. The Wireless GO II takes wireless versatility to new heights. Also available in a Single Set with one transmitter and one receiver.Designed and made in RØDE’s precision manufacturing facilities in Australia.Up to two transmitters can be paired to the RØDECaster Pro II for wireless recording with the full suite of APHEX® processing.In-built rechargeable lithium-ion battery – up to 7 hours battery life.Safety channel, flexible gain control (three-stage pad, expandable to 10-stage).Option to record each channel separately or combine them for ultimate flexibility in post-production.On-board recording – over 40 hours of internal memory.3.5mm TRS analog output, USB-C and iOS digital output – universal compatibility with cameras, mobile devices and computers.Series IV 2.4GHz digital transmission, 128-bit encryption – crystal-clear audio at up to 200m (line of sight), optimised for extremely stable operation in dense RF environments.MOTU has announced the release of Digital Performer 10. Dual channel wireless microphone system for recording two sound sources simultaneously 40-Input, 25-Bus Digital Mixing Console with 32 Programmable Midas Preamps, 25 Motorized Faders,-Channel LCDs, 32-Channel Audio Interface and iPad/iPhone. Buy MOTU 4pre - Compact Hybrid FireWire/USB Audio Interface with Microphone Preamps featuring 6.The Wireless GO II boasts a range of powerful features, including universal compatibility with cameras, mobile devices and computers, extended range (200m line of sight) and improved transmission stability, on-board recording capabilities, and much more. Incorporating the same unique form factor and professional sound quality as the original Wireless GO with groundbreaking, patent-pending technology, the Wireless GO II is the perfect microphone for a wide range of content creation applications. The Wireless GO II is an ultra-compact and extremely versatile wireless microphone system consisting of a dual channel receiver and two transmitters. You also have to take into account that, if you aggregate 3 or more interfaces with 8 channels over USB, the bandwidth is not enough for 96 kHz, let alone 192.The world’s smallest and first truly wireless microphone has been reborn. Despite that fact, some Tascam interfaces can be aggregated without any problems. The only manufacturer that I know of that explicitly doesn't support aggregation, is Tascam. On MacOS, it's easy to try out and >90% of interfaces I've encountered work in aggregation. Don't know if that's hardware or software related. Besides, PCI ADAT interfaces are usually higher end, with better re-clocking. Of course, ADAT and spdif might be easier, as these comply to a standard that is widely accepted. Same number of channels, same SR, same bit-depth settings. Preferably the same interfaces, or at least comparable. I've seen arrays of six or seven audio interfaces under Linux. Linux might require a bit of experimenting. I'm sure I've done it over USB, with some ordinary interfaces in the past.
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